Jennifer Sale Crane

historic preservation . architectural history . 20th century . prefab homes

IMG_8923smAluminaire, NYIT, Central Islip, NY, Aug. 2009

The 1931 Aluminaire just can’t catch a break. It has been moved, and subsequently forgotten, not once, not twice, but thrice in its lifetime. Each time, after a brief flurry of excitement about this one-of-a-kind early American International-style house, it has faded back into obscurity, waiting to be rediscovered yet again.

Designed by architects A. Lawrence Kocher and Albert Frey for the 1931 Architectural League exhibition in New York, the Aluminaire was one of only two houses by American architects to be included in the Museum of Modern Art’s famed 1932 International Exhibition of Modern Architecture.

In the late 1980s, a grassroots campaign helped save the house from demolition, and the New York Institute of Technology got a grant to disassemble and move the house to their Central Islip, Long Island campus. Here’s a New York Times piece about the restoration project.

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From the ubiquitous (“George Washington slept here”) to the obscure (Bunny Man Bridge), every community has local lore unproved as fact or fiction. Local legends, like some old Hollywood screen legends, often refuse to die.  Local myths linger on, taking on new life and usually growing more salacious with each successive generation. Sometimes the story is so preposterous, local historians won’t touch it. But often there’s just enough plausibility, or even a thin shred of evidence, to lure us on a wild goose chase for the truth. Ultimately, confirming or disproving the story becomes secondary to the value local lore holds in our personal and collective memories.

Pola Negri and the Gulf Branch Nature Center

pola negri autograph

In Arlington, Virginia, there’s a long-held story about a local visit from silent film star Pola Negri. Many Arlington residents have heard the story that Pola Negri once lived in the 1920s stone bungalow on Military Road, converted into the Gulf Branch Nature Center in the 1960s.  The staff of the Nature Center have even incorporated the Pola Negri connection into their programs, screening her films during an annual “Pola Negri Night.” But despite the many affirmations of the Pola Negri connection in local news stories about the Gulf Branch Nature center, a source of documentation is rarely cited.

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